Key Features

CCDs and DSP

Sony has equipped the DSR-250 with 3 1/3 inch CCDs containing 380,000 pixels each. The chips' high technology result in low smear levels giving the camera great bright scene image quality. And a high signal to noise ratio means that the camera will operate effectively in low light conditions also.

The DSR-250 allows you to set custom picture looks by adjusting the different parameters within the Digital Signal Processor. Now you can match multiple cameras for various color requirements. The custom settings may be recalled at a later time.

12 x Optical Zoom Lens with Super SteadiShot

The DSR-250 has a dedicated, non-detachable zoom lens that has a 6mm wide angle. Conveniently, the lens accepts 58 mm screw on filters and accessories. There are a number of lens adapters that will mount directly onto the lens.

With the stability of shoulder mounting the camera, all but the most accomplished camera operator will generate a certain amount of subtle hand-shake. Image stabilization comes from the optical system Super SteadiShot. The SteadiShot system checks for horizontal and vertical movements and corrects them with a small motor hundreds of times per second. All this is accomplished without digitally degrading the image.

DVCAM Professional Recording Format

Using a steeper track pitch, the DVCAM format lays down more information onto the tape frame for frame than the DV consumer format. And DVCAM locks audio to video for drift-free long duration recording. The technical numbers speak volumes: 8-bit component recording, 5:1 intra-frame compression and 4:1:1 color sampling. The DVCAM format offers realistic color and contrast quality, multi-generation dubbing capacity, and worldwide compatibility. The DSR-250 accepts large and small cassettes and will even record in the consumer format DV. Maximum tape length is over 3 hours.

SMPTE Standard Time-Code

The DSR-250's professional features include striping SMPTE time-code. Set hours, minutes, seconds and frames to best identify individual tapes. You also chose from FREE-RUN and REC-RUN and DF (drop-frame) and NDF (non-drop-frame) for consistency throughout your production. User-bits, alphanumeric coding, can be set to give additional information to the editor or producer.

Analog and Digital Ins and Outs

The DSR-250 will accept both analog Composite (RCA) and S-Video for input and output. This allows the operator to use standard home-type VCRs for source material and most standard televisions to playback the video. The digital Firewire (IEEE-1394, I-Link) interface is both input and output (as always).

Sophisticated Titling Functions

Using the more expensive IC chip cassettes gives you some interesting features including saving titles to the cassette's memory. These titles are not super-imposed on top of the video, but are displayed during playback. Use this function as an indexing function. In addition, the DSR-250 also has a tape title function that displays a title on the tape during the first 5 seconds of the recording.

Professional Quality Viewfinder

A DXF-801 viewfinder with 600 lines of horizontal resolution is standard with the DSR-250. The CRT is a 1.5 inch B/W, very similar to the DXC-D35 standard viewfinder. The viewfinder has a lens light to illuminate the rear of the lens in conditions with poor ambient light.

LCD Monitor

With 200,000 pixels and great picture quality, the LCD screen allows you to compose the shots while your eye is off the eyepiece. It also allows the producer to see what the operator sees in the viewfinder. The LCD monitor makes setting menu selections easier also. Now carrying a heavy field monitor from location to location is probably not required.

Time and Date Stamp

As required by legal deposition videographers, the DSR-250 has a time/date stamp. This feature gives you the ability to insert (super-impose) time and date onto the lower third of the frame.

Built-in Transition Selections

Five fader modes are built into the DSR-250 for professional looking in-camera effects.

• Black Fade- In and Out
• Monotone Fade- From bl