Izotope Ozone 3 - 64-Bit Mastering Software with Analog Modeling

iZotope's Ozone 3 is a complete software mastering suite in a single plug-in that functions under both Mac and Windows. It combines analog modeling with 64-bit digital precision to deliver a complete integrated suite of mastering processors.

Ozone 3 isn't a collection of plug-ins, rather it is a single powerful interface that combines all the required mastering tools in one system. This makes it easier to use and to understand the mix. And all processing is done via 64-bit DSP until final output.

The software allows the user to customize the signal processing order with a unique graphical flowchart, automate over 150 parameters, and create A/B comparisons, or step back through changes with unlimited undo and history operations. Ozone 3 has a comprehensive preset library and excellent documentation, including extensive mastering and dithering tutorials.

Key Features
	Multi-Band Dynamics
	Up to four bands of analog-modeled compression, limiting and expansion with a smooth sound and a fine degree of control
	Real-time visualization of the dynamics within each band, including gain reduction meters, level histograms and X-Y compression curves
	Analog or digital linear phase crossovers with adjustable Q (bandwidth)
	RMS and peak detection modes
	Paragraphic EQ
	Eight bands of bell, high-pass, low-pass, high-shelf or low-shelf filters overlaid on a fully configurable spectrum analyzer
	Choice of analog-modeled EQ with "soft saturation" modeling or digital linear phase filtering with up to 16,000 bands of precision
	Compare mixes with a powerful spectrum analyzer that offers real-time and average modes, critical or third octave bands and snapshots
	Matching mode allows for using spectrum snapshots of recordings to create "automatic" EQ curves
	Multi-Band Harmonic Exciter
	Up to four bands of multi-band excitation for adding warmth, sparkle or shine to mixes
	Choice of retro, tape or tube-modeled excitation with adjustable amount and mix controls for each band
	Unique multi-band time offset controls for tightening and adding "attack" to bass and kick
	Multi-Band Stereo Imaging
	Up to four bands of multi-band stereo widening for adding space to a mix without losing the bass
	Allows for visual inspection of the stereo image with a powerful phase/channel meter display that highlights imaging, phase and potential canceling problems
	Multi-band channel delay controls for adjusting the perceived location of the stereo field or correcting tape errors
	Mastering Reverb
	Dual mode reverb for adding ambiance to the mix
	Selectable plate or room modeling algorithms for "studio" or "acoustic" ambiance
	Control room size, pre-delay, width, frequency cutoff and more
	Special controls for soloing the wet signal, adjusting the frequency response and monitoring the width and phase of the reverb signal
	Loudness Maximizer
	Allows for maximizing levels without overloading while using analog-modeled or transparent digital loudness maximizers
	Intelligent release control technology
	Visual feedback provided through limiting gain reduction meters and overall loudness histograms
	Dither
	Prepares audio for CD with word-length reduction and high-order, psycho-acoustic shaped dither
	Includes MBIT+ dither for psycho-acoustically optimal word length reduction
	Integrated DC offset filtering, auto-blanking and dither harmonic suppression for dynamic and transparent conversions
	Unique set of bit scopes and DC level meters provide a complete view of the digital bit-stream and conversion process

Key Features